Improper property deals and the spectre of paedophilia are at the crux of Get Sando, written and directed by Claire Heywood, ...

In Douglas Maxwell’s So Young, recently widowed Milo has invited old friends, Liane and Dave, over to his place for the first ...

Opportunity is a funny thing; the word brims with promise, but just like talent, intelligence or privilege, it’s what you make of it that defines whether it will have a positive or negative impact on ...

Directed by Griffin’s Artistic Director, Declan Greene , Naturism is glib about global warming, gurus and Green gospels, a ...

T his is a major work running at two and a half hours, with interval. That said, there is a lot to enjoy – lavish choreography, wonderful staged scenes, beautiful costumes and the sheer energy of a ...

As Eminem proposed all the way back in 2002 in Lose Yourself, “If you had one shot or one opportunity to seize everything you ever wanted in one moment, would you capture it or just let it slip?” The ...

Above – Riley Warner and Chanella Macri. Cover – Jennifer Vuletic. Photos – Matt Byrne. The Director, Stephen Nicolazzo has come to this play with lived experience of having to understand the ...

You're never too young for the ballet, as Storytime Ballet proves. The Australian Ballet’s offering for their smallest audiences (children 2–8 are the target market) shortens traditional ballets to a ...

At the forty minute mark, Lauren, the youngest character in Circle Mirror Transformation says something akin to “when are we going to start acting?” At the sixty minute mark, the same character asks ...

Nearly forty years on, David Williamson’s Emerald City is possibly more pertinent, poignant and passionate, the skewering satire and sparkling dialogue finding solid contemporary footing in Mark ...

One of the wonderful concommitants of contemporary Baroque or Classical performances in Sydney is that they are often capable of making you think you're hearing familiar masterpieces for the first ...

School girls enter the stage like silhouette paper dolls from behind a prim floral scrim in Kim Hardwick’s production of Lillian Hellman’s The Children's Hour. It’s a striking and intriguing image, ...