Sean Canty, assistant professor of architecture at the Harvard Graduate School of Design and founder of Studio Sean Canty, invited Casey Cadwallader, American fashion designer and Creative Director of ...
Parsing distinctions between architecture and “mere” building has been a preoccupation of thinkers and practitioners since ancient times. The very difficulty of defining neat disciplinary boundaries ...
Ancient pollen trapped in fresco wall-paintings, like a mosquito in amber, provides a historical ecological snapshot. Compacted grains of garden soil preserve 2,000-year-old footsteps. Even the ...
Gareth Doherty’s book, Landscape Fieldwork: How Engaging the World Can Change Design, was published by the University of Virginia Press in 2025. Photo courtesy of the University of Virginia Press.
On a late summer day, AquaPraça—a floating 400-square-meter steel platform, painted brilliant white—appeared in the Venetian Lagoon, destined for its September 5 debut at the 19th International ...
Harvard Design Magazine 51: Multihyphenate examines multihyphenation as a mode of creative practice, a political response, and economic imperative in our 21st century neoliberal world.
It is increasingly clear that one of the major female architects of the 20th century was the Italian Lina Bo Bardi, who emigrated to Brazil in 1945 and made a name for herself there. But this claim is ...
I grew up in a domestic world that seemed to hospitably reconfigure itself around our family’s evolving interests and enterprises. As my younger brother’s model horse and airplane collections expanded ...
If labor power—that is, a population’s potential to produce—was and is the most important form of “production,” the most central productive space is the house itself. Dogma, proposal for the ...
Abele’s stylistic reserve contrasts with the turbulence about style going on within architecture concurrent with his career—challenges to classicism as the fount of inspiration for American civic ...
Redesign, for decades stigmatized by Modernist purists as an inferior architectural specialty reserved for the artistically timid and creatively challenged, has finally become a legitimate part of ...
The house will sit in the middle of the meadow, like an object, without spoiling anything. To transform space . . . it is first necessary to eliminate rigid objects, conventional receptacles: one must ...
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