Spotify generated EUR €4.272 billion (USD $4.99bn) in total quarterly revenue in Q3 (including Premium and ad-supported), up ...

Suno is facing a fresh copyright lawsuit. This time, Danish music rights organization Koda is suing the US-based AI music ...

London-based independent creative music rights company Bella Figura Music, is pushing into the US market with the appointment ...

MBW’s Music Business UK Awards took place in Covent Garden this evening (November 4), celebrating the very best that the UK music biz has to ...

AI promises to expand music’s creative frontier but when innovation rides on concealed inputs and unpaid labour, it undermines the very ecosystem that makes creativity possible. Recent debate around ...

The nonprofit Music Artists Coalition raised concerns about what percentage of revenue goes to artists when music trains ...

GoDigital, which has raised over $1bn to date, has created three new business units: GoDigital Music, Networks, and Brands.

bemyfriends, a startup operating fandom platforms for K-pop fans and other communities, agreed to acquire a majority stake in ...

Music fans want to see AI improve their listening experience, not replace human artists, UMG’s research found.

This article originally appeared in Tim Ingham’s latest ‘Tim’s Take’ email, issued exclusively to MBW+ subscribers.

The move builds on Karma Artists’ work with K-pop acts including BTS, Twice, Aespa, EXO, NCT, Riize and Shinee.

The court found it “difficult to conclude” that ADOR breached its contract solely on the grounds of Min Hee-jin’s dismissal.